Designed by Ana Parracho, Notes From Home is a grunge, hand display and dingbat font family. This typeface has four styles and was published by Ana's Fonts.

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Notes From Home is a serif and ornaments font family made using hand-carved linoleum. This collection has a quirky handmade look, but can also be used in retro and vintage designs, such as collages. The fonts have a realistic ink stamp texture that will look great in logos, notes and quotes, social media posts, and branding and packaging.

Notes From Home includes:
- Notes From Home serif font in three variations: regular, dirty and faded
- An ornaments font, with doodles, swashes, smudges and frames
- 6 high resolution paper textures in various sizes (min: 2400 px wide)
- 20 high resolution lino textures in PNG and ABR files (min: 2100 px wide)

Notes From Home

Notes From Home

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Designed by Hendry Juanda, Grantland is a brush display, grunge and hand display font published by Letterhend Studio.

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Grantlad is a condensed hand drawn brush font which is purposely made for headline, display or logotype, and signature which need a standout appearing. This font is also suitable to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

uppercase & lowercase
numbers and punctuation
multilingual
alternates & ligatures
PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Email us to letterhend@gmail.com if you need something! Happy Designing!

Grantland

Grantland

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Designed by Hendry Juanda, Allarmante is a display and grunge font published by Letterhend Studio.

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Inspired by Halloween theme. The authentic fontto give you fun and playful feel but scary vibes too. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, packaging, stationery, novels, labels or any type of advertising purpose.

Features :

uppercase & lowercase
numbers and punctuation
multilingual
PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Allarmante

Allarmante

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Designed by David Kerkhoff, Gravity Well is a brush display and grunge font family. This typeface has two styles and was published by Hanoded.

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I seem to be in my astronomical phase right now. I recently released several fonts with names relating to space! Don’t worry, it is just a phase and this too will pass…

Gravity Well is a handmade brush font, ideally suited for product packaging or book covers. Gravity Well comes with all the diacritics you can ask for and a set of double letter ligatures to boot!

Gravity Well

Gravity Well

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Designed by David Kerkhoff, Gravity Well is a brush display and grunge font family. This typeface has two styles and was published by Hanoded.

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I seem to be in my astronomical phase right now. I recently released several fonts with names relating to space! Don’t worry, it is just a phase and this too will pass…

Gravity Well is a handmade brush font, ideally suited for product packaging or book covers. Gravity Well comes with all the diacritics you can ask for and a set of double letter ligatures to boot!

Gravity Well

Gravity Well

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Designed by Rian Hughes, Roadkill is a display sans, grunge and dingbat font family. This typeface has four styles and was published by Device.

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Derived from a photograph Rian Hughes took in Hong Kong, the Roadkill family of typefaces is a literal interpretation of rough and worn road lettering.

The original provided almost all of the key character shapes, with the others being designed to keep the unique hand painted feel intact. Most of the letters have alternate versions provided.

This font works equally well at wider letterspacing settings.

Roadkill Alternates provides curved versions of the 2 and the S, a G with higher crossbar, and less worn versions of several other characters. The heavy version packs even more gritty wallop in a non-condensed and blacker weight.

Roadkill Heavy packs even more gritty wallop in a non-condensed and blacker weight.

Use in conjuction with the original Roadkill and Roadkill Alternates.

A set of arrows and other road symbols again taken directly from tarmac to Mac, thus preserving the worn and eroded appearance of the original characters is also part of the Roadkill family.

Download Roadkill Fonts Family From Device

Download Roadkill Fonts Family From Device

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Designed by Rian Hughes, Salvation is a grunge font published by Device.

Download Salvation Fonts Family From Device

The original letters were cut from actual potatoes, then scanned in and converted to vector outlines. Lighter and more heavily inked versions were used for the three variants.

Using Opentype character-substitution technology, Salvation rotates through three versions of each letter to create a naturally uneven printed effect.

Unlike hot metal type, the potatoes were cut the right way around. This produced reversed prints, which were then flipped back in Photoshop.

Originally produced for Hughes’ Get Lettering activity book, the font was then extended to cover numbers, punctuation and full European language support.

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Designed by Emil Bertell, Kiosk is a multiple classification font family. This typeface has four styles and was published by Fenotype.

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Kiosk is a prominent display typeface pair. It is a sturdy condensed sans serif and an eloquent brush script. In addition there are textured “print” versions of them both.

Kiosk fonts work as a pair or as themselves. Sans is great for sturdy headlines, menu titles, packaging or any such, the bigger the better. Script is great as a logotype, used for quotes, magazines, packaging and branding.
Textured versions are the same fonts with a rugged outline and with a “stamp” texture inside the letters.

Kiosk Script is equipped with several OpenType features. It has Contextual Alternates and Standard Ligatures that are automatically help to keep the connections smooth. They’re both automatically on. In addition it has Swash, Stylistic and Titling Alternates and even more alternates for some characters. The font is PUA encoded and you can access alternate characters from OpenType controls or manually from Character or Glyphs window.

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Designed by Hendry Juanda, Winland is a brush script, grunge and script font published by Letterhend Studio.

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Introducing, Winland. This font is carefully crafted by handwritten brush to get the feels of natural brush. you can use this font for branding, packaging, quotes, headline, etc

Features :
- uppercase & lowercase (alternates)
- numbers and punctuation
- multilingual
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Thank You!

Download Winland Fonts Family From Letterhend Studio

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Designed by Jakob Fischer, Doorkick is a grunge and hand display font family. This typeface has two styles and was published by Bogstav.

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Doorkick is my grungy handmade font with rough lines and a squarish look. Each letter has 5 different versions, which automatically cycles as you type - leaving your text with a super lively and natural/organic look.
I’d say that Doorkick is best for short words or shoutouts, but try it out it massive text too! I dare you! :)

Download Doorkick Fonts Family From Bogstav

Download Doorkick Fonts Family From Bogstav

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Designed by Thomas Schostok, CA WeirdStories is a display sans and grunge font family. This typeface has two styles and was published by Cape Arcona Type Foundry.

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A font from outer space, CA Weird Stories - the perfect font for science fiction novels or to create a spooky atmosphere. A bit too weird and a bit too slanted for this world. Treat yourself with the ability to stack the two styles on top of each other to create great special FX. You may even consider to use the “fill” style on its own, it might look a bit uneven, as it was actually designed to be used in combination with the “shadow/regular” style, but hey – that’s what this font is all about!

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Designed by Jan Tonellato, Novecento Slab Rough is a grunge and slab serif font family. This typeface has thirty-two styles and was published by Synthview Type Design.

Download Novecento Slab Rough Fonts Family From Synthview Type Design

Novecento Slab Rough adds a letterpress / analog effect to its Slab Serif parent. Each letter has a different pattern and gives you a truly realistic effect. Even accented variants of any base character are all different.

This font has also a built-in feature that automatically displays a texture variant for the 2nd occurrence of a letter or a number when they appear close one to each other. For instance: AA OO TT ÜÜ. But also: AOA NON TXT etc. And don’t forget alternate glyphs design such as N I J Q Y and all other features present in the Novecento mega family: 32 styles, 76 latin languages supported, 590 glyphs and 16 stylistic opentype features for advanced typography.

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Designed by Adam Ladd, Zuume Rough is a display sans and grunge font family. This typeface has four styles and was published by Adam Ladd.

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Zuume Rough is a textured, bold, condensed sans serif display font family. A sister to Zuume, this version features a rough printed texture for a more natural and raw look. Coming in regular and bold weights with italics, the fonts can be tightly spaced and stacked for a visual punch or spacing loosened for a little more breath.

A distinct characteristic of this all caps typeface is the notched and extended ink traps meant for both function and aesthetic interest. The strong and sturdy design makes it ideal for eye-catching headlines, branding, packaging, magazines, sports, logos, and more.

Also part of each font file are matching pre-designed catchwords that add interest to your typography. Stylistic alternates and arrow glyphs increase the options available as well.

Zuume Rough has many features:

• Catchword glyphs (PUA-encoded)
• Stylistic alternates
• Arrows
• Fractions, numerators, denominators
• Superscript, subscript
• Slashed zero

With about 600 glyphs, this font has extensive multilingual Latin language support (100+ languages) for Western, Central, and South Eastern European.

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Designed by Ana Parracho, Notes And Quotes Font Duo is a multiple classification font family. This typeface has six styles and was published by Ana's Fonts.

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Notes And Quotes is a font duo that includes a bold typewriter font and a casual script font. The contrast between the fonts makes it a striking pair, perfect for logotype design, modern branding and packaging, quotes and social media posts.

Notes And Quotes includes 6 fonts:

- a handwritten script font with
- a slant alternative and
- a bonus set of handwritten doodles (underlines, circles, words and short sentences, etc)
- a bold typewriter font with
- a “jumpy” alternative and
- a set of bonus misprints and grungy elements

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Designed by David Kerkhoff, Capricious is a brush display, grunge and hand display font family. This typeface has two styles and was published by Hanoded.

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I don’t think I’m a capricious person, but right now, due to the enormous amount of renovation work on our home, I do get bad moods quite often!
Capricious font is a hand painted all caps font: I used my favourite Chinese ink, a brush and very rough paper to get the desired ‘eroded’ effect.

It is quite a heavy display font, so I wouldn’t really set a text in it, but it works really well for headlines, catching titles and products that need some pepper!

Download Capricious Fonts Family From Hanoded

Download Capricious Fonts Family From Hanoded

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Designed by Måns Grebäck, Roughen is a grunge and hand drawn font family. This typeface has two styles and was published by Måns Grebäck.

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Roughen is a fast handwriting typeface.
It was drawn and created by Måns Grebäck between 2017 and 2020.

Roughen has a rugged and active style, designed with a wet calligraphy pen.
It contains multiple alphabets, automatically applied with contextual alternates to simulate the variation of handwriting, or manually with stylistic alternates.

The font is multilingual and contain all characters you’ll ever need, including all punctuation and numbers.

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Designed by Ana Parracho, Secretary Typewriter is a grunge and typewriter font family. This typeface has two styles and was published by Ana's Fonts.

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Secretary Typewriter is a typewriter font in a lighter, softer weight that makes it perfect for more delicate designs. Use it in long or short texts, in digital collages, branding and packaging, social media posts, logotypes, etc.

Secretary Typewriter includes:

- Contextual alternates. Each letter and number has 3 slight variations that appear “randomly” for extra realism.
- Underline version of the font. For a grungier look.

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Designed by Ricardo Marcin and Erica Jung, Outside is a grunge, hand display and hand drawn font family. This typeface has two styles and was published by PintassilgoPrints.

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Alternates, ornaments, ligatures and two casual stylish faces.
This is Outside. Where we’d absolutely rather be.
* Released during the inside times of 2020 *

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Designed by Jakob Fischer, Eksperiment is a grunge and hand display font family. This typeface has two styles and was published by Pizzadude.dk.

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Eksperiment is danish for experiment. Without much guessing or knowledge to danish, you probably already knew that! I like those danish words containing a “k” - is it because my name is spelled with a “k” ? I don’t know - maybe it’s because it kind of represents the danish language, which is full of words with “k"s :)
Anyway, the reason for the name is that I wanted a font looking like it had gone through tough times, a bad copy machine and perhaps even crumpled paper…but the experiment is that the font is 100% made using digital media. I used my MacBook and my iPad creating this font. I find it quite amusing, that something 100% digital looks like something organic :)
I’ve added 5 different versions of each letter, which is really helpful when working with grunge fonts. It looks more natural, when the same letter rarely repeats itself.

Download Eksperiment Fonts Family From Pizzadude.dk

Download Eksperiment Fonts Family From Pizzadude.dk

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Designed by Manuel Viergutz, DIY Fantasy Stamp is a display serif and grunge font family. This typeface has five styles and was published by Typo Graphic Design.

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The typeface DIY Fantasy Stamp is designed in 2020 for the font foundry Typo Graphic Design by Manuel Viergutz. The display typeface is inspired by the crafts of 20s and 40s.

The basis for this authentic stamp font was a letter case with a rubber stamp from Simplex. This analog character set of 85 stamps, was digitally extended to 500+ glyphs.

5 font-styles (Sharp, Dirty, Rough, Invert, Heavy) with 546 glyphs (Adobe Latin 3) incl. decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (4 stylistic sets).

For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size.

Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE!

■ Font Name: DIY Fantasy Stamp
■ Font Weights: Sharp, Dirty, Rough, Invert, Heavy + DEMO (with reduced glyph-set)
■ Font Cate­gory: Dis­play for head­line size
■ Font For­mat: .otf (Mac + Win, for Print) + .woff (for Web)
■ Glyph Set: 546 glyphs (Adobe Latin 3)
■ Spe­cials: Decorative extras like arrows, emojis, ornaments, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☺ as Open­Type Fea­ture. dlig) and stylistic alternates (4 stylistic sets)
■ Design Date: 2020
■ Type Desi­gner: Manuel Viergutz

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