Designed by John Roshell, Hip Flask is a display sans font family. This typeface has eight styles and was published by Comicraft.

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Well, if you found this page via Google and what you’re looking for is NOT a Slam Bang display and logo font (made famous by the logo of our sister company’s flagship comic book title, HIP FLASK), but in fact a small metal bottle suitable for brandy, whiskey or the spirit of your choice, then we deeply apologize. If you’ve read this far, then we’d like to point you to eBay where you’ll find a wide selection of the items you’re looking for. While you’re there you might also like to consider how difficult it is for HIP FLASK fans to find back issues of our comic amongst all those pewter and stainless steel christmas gifts for your golfing friends and fellow alcoholics.

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Download Hip Flask Fonts Family From Comicraft

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Designed by Ben Burford, Loopkin is a display font published by Ben Burford Fonts.

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Loopkin. A new display font from Ben Burford Fonts.

A stylistic take on the classic modern serif fonts that have been a staple in high fashion publications for decades,

A New Take on a Classic!!

The opentype font comes with a full set of characters with also ligatures and alternative characters using the stylistic sets

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Designed by John Roshell, Paranoid Android is a display sans font family. This typeface has three styles and was published by Comicraft.

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Fonts are Inhuman and Human Fonts are IN! Now, the Comicraft Cybernetics Corporation is proud to announce the first in a new line of fonts with GFP… Genuine Font Personalities. Paranoid Android is an outer alloy, inner void, solitary solenoid GFP prototype—you can tell, can’t you? Finally a font that knows its place as a digital servant to the human race. What will Comicraft think of next? No, don’t bother to answer that, Comicraftsmen are fifty thousand times more intelligent than you and even they don’t know the answer. Warning: Nothing left to be enjoyed, every diode rheumatoid*, terminally Paranoid Android is not so much a font, and more a kind of electronic sulking device. Share and Enjoy!

*The moving parts on the left side of this font are in a solid state. It may sit in a corner and rust, or just fall apart where it’s standing.

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Designed by John Roshell, Speeding Bullet is a comic, hand drawn and retro font family. This typeface has four styles and was published by Comicraft.

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Introducing… SPEEDING BULLET—featuring SPEED TRAILS for increasing the, ah, speed of your bullets! Quick as The Flash, slicker than Quicksilver, the latest in our popular line of silver age display fonts could probably outrun a locomotive AND jump buildings in a single bound. It’s ASTOUNDING, it’s STARTLING, it’s ELECTRIFYING, PERAMBULATING, DISCOMBOBULATING and RETROFITTING. It really is Faster than a Speeding Bullet. Try it out for yourself. Under adult supervision, natch’.

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Designed by Jeff Levine, Antique Stencil Borders Two JNL is a stencil and dingbat font published by Jeff Levine Fonts.

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Antique Stencil Borders Two JNL is the follow-up collection to the July, 2018 release of Antique Stencil Borders JNL and features twenty-six more decorative stencil borders from various vintage sources.

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Designed by Pavel Korzhenko, Benigne Sans is a sans serif font family. This typeface has sixteen styles and was published by Vintage Voyage Design.

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VVDS Benigne Sans is geometric font family consisting of 8 weights ranging from Thin to Ultra Bold with matching italics. Balanced and gently Thin or fat and heavy Ultra Bold, good wide range of widths, which allow use this font not only as a Headers, also as sub-headers or block texts. Also, I love how it looks in infographics. VVDS Benigne Sans is latin-based multilingual and contains all mathematics symbols.

OpenTypeFeatures Ligatures, alternates, old style numerals and fractions.

Enjoy! VVDS

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Download Benigne Sans Fonts Family From Vintage Voyage Design

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Designed by John Roshell, Divine Right is a novelty font published by Comicraft.

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While the Adventures of Max Faraday continue in the pages of Wildstorm Comics’ DIVINE RIGHT, another chapter title font has begun on the web pages of the World’s Greatest Comic Book Fonts. Delicately crafted by Mister Fontastic himself, John JG Roshell claims this font was the product of Divine Inspiration. When told he’d been looking at the work of too many French Poster Artists, JG dismissed such allegations as Mucha do about nothing.

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Designed by John Roshell, Double Back is a display and display sans font family. This typeface has four styles and was published by Comicraft.

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Great Scott, Marty! This font is charged by the Power of Love! DOUBLEBACK was created by Comicraft for the official BACK TO THE FUTURE fan club. We can’t guarantee that it’ll take you back in time, but we can recommend a trip to Amazon.com (or .co.uk!) where you’ll find the BACK TO THE FUTURE movies on DVD for the first time.

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Designed by John Roshell, Dutch Courage is an art deco, hand display and hand drawn font family. This typeface has four styles and was published by Comicraft.

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Pull up your Jackboots and check out this Teutonic title font designed by Richard Starkings for Rob Liefeld’s controversial relaunch of Marvel’s CAPTAIN AMERICA.

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Mantonico is a serif font family. This typeface has sixteen styles and was published by Pepper Type.

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Mantonico is a soft and friendly serif type family with low x-height. Its slightly wide proportions and prominent terminals create a peculiar texture suitable for long reading.

The style range encompasses 8 weights with corresponding italics. The italics themselves are designed for a specifically soft, almost fluid feel.

The typeface features rich language support including Cyrillic and a wide range of OpenType options such as small capitals, numerous sets of digits and over 300 swashed characters.

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Designed by John Roshell, To Be Continued is a display sans font family. This typeface has four styles and was published by Comicraft.

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Trapped in a world they never made, the characters in our Story So Far have been engaged in final battle with their Arch Enemies… the characters known only as ToBeContinued. Will our heroes survive? Will justice prevail? Will the forces of good defeat the forces of darkness…? To Be Continued…

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