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| Designed by Jakob Fischer, Slow Foot is a comic and hand display font family. This typeface has three styles and was published by Pizzadude.dk. |
Slow Foot is my handmade and bouncy kids font - but it is also suitable for almost anything creative. Comes with contextual alternates, which means 6 different versions of each letter!!!
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| Download Slow Foot Fonts Family From Pizzadude.dk |
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| Designed by Oğuzhan Cengiz, Tonus is a multiple classification font family. This typeface has eighty-four styles and was published by Hurufatfont Type Foundry. |
Tonus Super Family; It is a family of five character styles built on the same skeleton. The entire Tonus Family is built on the skeleton of the “sans” family, it is the only family where five different styles are presented together. All families have an equal number of characters. It has rich opentype features. It inspires designers for different and creative applications such as brand building, periodicals, packaging, and social cultural event designs.
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| Designed by David Kerkhoff, Castlerigg is a hand display and hand drawn font family. This typeface has two styles and was published by Hanoded. |
A long time ago, I lived and worked in the English Lake District. When I first arrived there, I camped out not far from a neolithic monument called Castlerigg Stone Circle. Castlerigg Stone Circle is one of the most beautiful stone circles in the whole of Britain; the views are great and it makes for a nice walk from Keswick.
This rather grungy font was made with a Sharpie pen I initially wanted to throw away, because it was dry, but then decided I could at least get one more font out of it. The result is Castlerigg - a rather neolithic looking all caps font.
Castlerigg comes with double letter ligatures for the lower case.
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| Designed by Dieter Hofrichter, Empira is a serif font family. This typeface has twenty styles and was published by Hoftype. |
Empira is a new high contrasted face. While in it’s pricipal structure shows some reference to transitional faces, its pronounced graphic shape elements are of definate contemporary origin. It appeares crisp, sharp and somewhat fancy.
Empira supports up to 80 languages and it’s OpenType format allows a wide range of typographic applications. 20 styles offer fine graduation of the weights. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.
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| Download Empira Fonts Family From Hoftype |
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| Monospaceland is a sans serif font family. This typeface has twenty-two styles and was published by Pepper Type. |
Monospaceland is a round monospaced typeface in 7 weights with rich language support (Cyrillic included), small capitals, and some double-width alternatives for added fun.
It includes obliques and reverse obliques, making a total of 21 fonts. Plus, the family pack comes with a two-axis variable font to allow setting arbitrary weight and slant angle.
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| Download Monospaceland Fonts Family From Pepper Type |
Designed by Dusan Jelesijevic, Prelom is a serif font family. This typeface has fifteen styles and was published by Tour de Force Font Foundry.
Prelom is modern serif family inspired by retro designed typefaces. Comes in 5 Normal weights, 5 true Italics and 5 Condensed weights. With tall x-height, sharp serifs like fishing hooks, original Italics and distinctive character overall design, Prelom is ideal family for editorial use or branding. Beside extended Latin character set, Prelom contains Cyrillic characters as well. It is equipped with Initials, Ligatures, Fractions and Tabular Numbers as OpenType features.
Designed by Jeff Levine, Western Trail JNL is a western font family. This typeface has two styles and was published by Jeff Levine Fonts.
For decades, Samuel Welo’s “Studio Handbook for Artists and Advertisers” was a source of inspiration for sign painters, graphic artists and designers. In later years, many digital revivals of Welo’s hand lettered typography have been made available.
Western Trail JNL is the latest member of such digital fonts, and is available in both regular and oblique versions.
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| Designed by Giuseppe Salerno and Paco González, Norman is a display serif and serif font family. This typeface has four styles and was published by Resistenza.es. |
Get to know Norman, elegant and fashion forward. This new condensed and high contrast serif font is based on expansion giving a sense of self confidence. The oblique ax was specially added to get a contemporary and innovative sense.
Norman is young and idealist, he has a distinctive sense of style. A complete set of ligatures and stylistic alternates is included, this will help the designer to customize and give a special look to any layout.
We recommend to use it for big title, magazine, editorial purposes and display.
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| Designed by Jeff Levine, Pekoe JNL is a stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Jeff Levine Fonts offers its interpretation of Tea Chest, an Art Deco serif stencil font originally designed in 1939 by Robert Harling for the Stephenson-Blake type foundry.
Pekoe JNL is available in both regular and oblique versions.
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| Designed by Juan Pablo de Gregorio, Copihue is a sans serif font family. This typeface has eighteen styles and was published by Letritas. |
Copihue is the newest font from the foundry of Juan Pablo De Gregorio. A Sans-Serif with some humanist hints, it displays simple and subtle yet sober, vivid strokes. This font’s personality unfolds itself as long as we are reading it.
The aim of Copihue is neither to be as neutral as a grotesque font nor to become as predictable as a fully geometric typeface can be. This typography wants to appeal to the likes of designers who prefer all-rounder fonts, the ones who fit well in most layouts. With this purpose in mind, Juan Pablo studied elements of different typefaces and styles to cast them into Copihue, which boasts a personality that makes it a great fit for different compositions and designs.
Copihue has a slanted version with “real italics”. These italics are slightly more condensed than the regular version, in order to give it a different text texture.
The typeface has 9 weights, ranging from “hair” to “black”, and two versions: “regular” and “italic”. Its 18 files contain 749 characters with ligatures, alternates, small caps, oldstyle and tabular numbers, fractions, and case sensitive figures. It supports 219 Latin-based languages, spanning through 212 different countries.
Copihue supports this languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwich’in, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni.
Designed by Alejandro Paul, Dilemma is a sans serif and serif font family. This typeface has forty-four styles and was published by Sudtipos.
Dilemma is a sans/sans serif type system with 42 styles; it is inspired by the anonymous Polyphème, Cyclopéen and Extra Condensé designs from the early 1900s at the Peignot Fonderie.
From these initial points of reference, Sudtipos went further and reimagined these projects for an actual use by blending them into a unique and complex type system. Dilemma is defined as ‘a situation in which a difficult choice has to be made between two or more alternatives, especially ones that are equally undesirable’ and that is exactly how we designed this font. We created a workhorse system where each style functioned well alone but would be more powerful when working as a team, pairing the sans styles with the serifs.
Dilemma comes in 3 different widths and 7 weights in both the sans and the serif, ranging from the more economical yet legible condensed styles, to the opulent bold and expanded weights. We imagine Dilemma being used in a limitless array of graphic projects including identity systems, digital platforms, public spaces, editorial design and beyond.
Now the Dilemma is yours.
